Detroit Swindle
Rhythm Girl Swing EP

Decatur Records launches its first release by Connecticut-based artist Lucho. His debut EP is a versatile record with four sleek and imaginative feel-good house tracks that are perfect for different dance-floor situations.

This time round it’s a 3 track VA from Serbian artists Marko Nastic and Bosko Balos, plus another Banger from the UK producer Len Lewis.‘Music Is the Highway of Shared Experiences’A1 The Void, Len Lewis: “This track is a sinistertechhouse representation of when I died and went down to ‘the void’ in 2017. Then clawed my way back up through the earth to now!”B1 Thinking, Marco Nastic feat. Ryan James Owens: “One playful jam session in my studio resulted in this house/techno oriented track with Ryan’s vocal on top”. B2 Bag Me Up, Bosko Balos: “Starting 2022 I lost all of my projects from the last two years. Among a handful of wavs was Bag Me Up which marked a change in my sound. A combination of electro-break and old techno / house style”.

After its acclaimed first release, the mysterious entity Low Khey is back on Comic Sans Records with a killer 10 tracks album evolving around deviant industrial dancehall, experimental trap and balearic flavours. Including featuring with Catnapp, Enae and Stencil d'A.

Active for over 25 years as a music journalist, writer and author of books, Giosuè Impellizzeri was, for a period, also a composer. Through several records recorded since 2002 as DJ Gio MC-505, he has developed a sound obtained on the crossroads between chiptune, electro and synthetic disco with a few glimpses of funk, techno, house and EBM. Now completely dedicated to journalism, Impellizzeri has stopped creating music for over a decade. In the drawer, however, he still had unpublished tracks, written and produced in the past, and five of them now end up in this EP entitled "Saved From Oblivion": from the cinematic "Il Bacio" to the legoweltian "Jupiter Lander", from the biting "Picnic On Pluton" "to" Sexy Song "that plays with 80s synth pop up to cybernetics" The Eyes Of Memory "in which you can see trails of SID style. Made between 2005 and 2006 and recorded live in a combination of hardware and software instruments, the tracks of the EP are subject to an adequate and effective mastering.

Far over on the west coast of the USA we find a room full of drummachines, samplers and keyboards. Hard at work is Israel ‘Iz’ Gravning aka Tone Scientist, who’s been using this Seattle studio to produce genre-defying future music for more than 25 years.