Boris Divider
Generative Operations 3

There is a culturally and perhaps spiritually bonded link between electronic dance music and what could be called most generally ‘the feminine divine’. In subgenres more oriented to trance and EDM, the vocal sample or progression is almost always uttered by a woman, unlike the variously-sexed divas of house; if divinity is invoked, it is less often a biblical God than some Gaia-derivative. Radiant Love’s fifth release, Goddess Within by the Montreal-based producer Maara, steps into this lineage stretching from Magna Mater to disco queen – Maara’s articulation of the feminine divine, however, is often off-hand, ringing at once sincere and deeply cheeky.The double-side is summed up by the first track’s title, 'Goddess Within (Give It To Me Daddy)', which starts right off with a pumping bassline, carbonated synths, and a repeating sample speaking ‘goddess’ – what trance dreams are made of. What places these tracks especially in the realm of dream are Maara’s washes of delay, reverb and pan, drawing out melodies and textures into trails, clouds, blurs. The sonic fields are decentered, but driving and floor-ready regardless. 'Mommy’s In Trouble' follows up with a set of cleverly phased hi-hats and a swung kick drum. It’s a buildup we’re hearing, although one wouldn’t know until a sample asks us matter of factly, ‘Notice what you’re feeling. Are you calm?’ and the bass swings back in.The B-side begins softer, with the wide pads of 'Plum Plum Paradise' eventually dropping into a downtempo break. The percussion is muted, and what gives the track its body is a shifting terrain of sample (‘Allow yourself inside, the time and space right now’), gurgling synth note, windchime and whisper. Goddess Within’s final track, 'Lezzies In A Jacuzzi' picks up the pace again, with a porny bass-throb, insistent hi-hats and a vocal fragment looping the word ‘amor’. This is exactly the kind of sound that would have me thinking on the dancefloor, Is she actually saying ‘amor’? Quickly I would reach the decision that it didn’t matter – the whole terrain of the actual, the explicit and undreamed is best left to masculinity anyways.

Ninth release from Rezpektiva featuring select cuts from the past that have made an impression on us over the years, released with the maximum respect.Rezpekt to Xs-Ive House !

Mick Wills is no stranger to Frigio Records, the German Dj and producer has turned his hand to edits and remixes on previous releases and now arrives with his own 12” of edits for the volumen 4th of the label’s Ecdisis series. The source material for the two pieces on offer comes from Brazil’s Simbolo, a band formed in 1988 and still active with a career spanning more than thirty years, was a central player in South America’s EBM and Synth scene. Wills has selected two tracks from the Brazilian’s back catalogue, the first being “Mind.” Industrial influences come immediately to the fore, complex drum patterns give way to a juddering groove in which guttural vocals depict a scene of hurt and pain.“Synchrono” occupies the flip. Taken from the 1995 album, In the Danger Zone, the original two minute piece is extended into a seven plus minute epic. Following on from “Mind”, “Synchrono” melts stuttering bass-lines and textured percussion with indecipherable lyrics counter-balancing heady strings. Two cuts of emotive and impacting electronics.

After a long break of around seven years, Drivecom the Spanish label based on advanced electro conducted by Boris Divider is back again to the scene delivering a minimal concept (as stated on its first roots) but with avantgarde elements to keep a vibe on the contemporary edge. This is the first episode of a new project under the name of “Generative Operations”. A project born from a new vision and workflow at the B. Divider’s studio.From the technical side, the use of massive modular synthesis and generative sequencing make the tracks to be different each time are being played, so here you have a unique recording of a certain moment as if it was and imprint of an instant. Also the minimalistic percussion tries to be slowly developed in an electro rhythm structure. In the other hand all the tracks have a cinematic vibe, it seems as they were composed thinking about to fit in any hi-tec sci-fi thriller movie. Granular sythesis pads, background noises, experimental compression routines help to fullfill the vision. At the moment of this info three volumes are being planned to be released in this year 2020.

Frappé is set for a powerful finish of the year, welcoming the great S3A as a very special guest on its 6th Various Artist EP « The Godbanger », to be released on December 10th. Alastair Lane, one of the hottest young talents to emerge from Paris in recent years co-stars the EP with the French funky House music don, pursuing Frappé’s tradition to bring together well-established producers and futur stars of the French scene. For the party to be complete, the two guests are joined by the label co-founders Ten Fingerz and Basile the Suresnes, with the 4 artists placing « The Godbanger » under the sign of funk and disco, for a 5-track EP that will have you booty-shaking all night.

Junes delivers ‘Transport Express’ the 4th instalment in his Dote series