Open today: 00:00 - 00:00

By continuing your navigation on this website, you accept the use of cookies for statistical purposes.

Pancratio
Pres. OTTA4 X Korghettini Electronics

Pres. OTTA4 X Korghettini Electronics
Pres. OTTA4 X Korghettini ElectronicsPres. OTTA4 X Korghettini Electronics

Artists

Pancratio

Catno

OTTA4

Formats

1x Vinyl 12"

Country

Italy

Release date

Mar 7, 2022

Pres. OTTA4 X Korghettini Electronics, onetriptoavyon, OTTA4, Pancratio, Vinyl Records, Chat Noir distribution, Chat Noir store,

Pancratio: In the early 2000s, Korg invented, engineered and distributed four little instruments called Electribes. A drum machine, one analog modeling synthesizer, a sampler and a music workstation respectively called ER1, EA1, ES1 and EM1. Initially I always found it very difficult to use them in my studio, because they weren’t really fitting with the sound and the workflow. Between march and may 2020, I stopped worrying about trying to force the Electribes into the setup: i just put them together and started jamming, recording several tracks without using anything else apart from these little boxes and their own effects… eventually sampling a few things along the way with my headphones into the ES1.

The title, as well as the aesthetic of the project, are inspired by a future-retro approach to early electronics and 70s Italian product advertisement.

Media: Mi
Sleeve: M

12.5€*

*Taxes included, shipping price excluded

A1

Korghettini Electronics #1

A2

Korghettini Electronics #6

B1

Korghettini Electronics #16

B2

Korghettini Electronics #2

Other items you may like:

Producers Oprofessionell and Alpha Tracks team up as Kineta once again to present their second EP in a new trilogy of releases titled ‘Proto’. Written during relentless production sessions spanning a week in a secluded Mediterranean coastal town, the pair gathered an expansive constellation of music that is now ready to surface. ‘Proto’ effortlessly captures the creative symbiosis shared between the two producers while undertaking a journey through the realms of modern psychedelic dance music.
Novaj Records is very happy to present its first vinyl release. This will allow us to continue to support artists associated with Novaj media. "International Love" is a universal message of peace. The musical vibrations that reverberate through our lives are universal. They reach our bodies and our minds no matter who we are, or where we come from. The globe represents this vision of a borderless world. Similarly, music invites us to come together, forget our differences and remember the things that unite us.
When is the future? She was last seen looking for a way to pass that one testpressing to a DJ in the club, dancing with her girlfriends and stayed at T's flat while we were all overfeeding Frida the cat. I said I don't have an electric grinder. We bumped into her dad, I pretended that I understood what they spoke about (I kind of did), then biked away and contemplated fun she strived to have and to provide. She came back early though. Shjva hails from Lutsk, Ukraine and organizes parties and get-togethers in Warszawa now. Her sound is supposed to be minimal yet at times gently overwhelming (spores! spoooores! the room is suddenly full of spores!). She's 1/2 of analogue live duo ПЛАН and will pinch you when you're not looking.
Boris Bunnik with a Vernon Felicity debut album! Days Of Leisure is a very well produced warm and analogue sounding house album. Think Metro Area vs. Larry Heard and you are almost there.. This is the sound of the summer and a future classic in the making.
There is a culturally and perhaps spiritually bonded link between electronic dance music and what could be called most generally ‘the feminine divine’. In subgenres more oriented to trance and EDM, the vocal sample or progression is almost always uttered by a woman, unlike the variously-sexed divas of house; if divinity is invoked, it is less often a biblical God than some Gaia-derivative. Radiant Love’s fifth release, Goddess Within by the Montreal-based producer Maara, steps into this lineage stretching from Magna Mater to disco queen – Maara’s articulation of the feminine divine, however, is often off-hand, ringing at once sincere and deeply cheeky.The double-side is summed up by the first track’s title, 'Goddess Within (Give It To Me Daddy)', which starts right off with a pumping bassline, carbonated synths, and a repeating sample speaking ‘goddess’ – what trance dreams are made of. What places these tracks especially in the realm of dream are Maara’s washes of delay, reverb and pan, drawing out melodies and textures into trails, clouds, blurs. The sonic fields are decentered, but driving and floor-ready regardless. 'Mommy’s In Trouble' follows up with a set of cleverly phased hi-hats and a swung kick drum. It’s a buildup we’re hearing, although one wouldn’t know until a sample asks us matter of factly, ‘Notice what you’re feeling. Are you calm?’ and the bass swings back in.The B-side begins softer, with the wide pads of 'Plum Plum Paradise' eventually dropping into a downtempo break. The percussion is muted, and what gives the track its body is a shifting terrain of sample (‘Allow yourself inside, the time and space right now’), gurgling synth note, windchime and whisper. Goddess Within’s final track, 'Lezzies In A Jacuzzi' picks up the pace again, with a porny bass-throb, insistent hi-hats and a vocal fragment looping the word ‘amor’. This is exactly the kind of sound that would have me thinking on the dancefloor, Is she actually saying ‘amor’? Quickly I would reach the decision that it didn’t matter – the whole terrain of the actual, the explicit and undreamed is best left to masculinity anyways.