Tojami Sessions
Falling

Parallel Universe is back with another mind bending V/A.The second release will once again take you on a journey which feels like a never ending trance.As we say over at the P.U. headquarters: “Great minds space alike!

The Jaffa Kid's prolific music-making is well known at this point, with a wide-ranging palette that takes in the full range of electronic genres, from jungle to techno to ambient.But here on his second EP for Gated - appropriately titled Second Frequencies - the boy named after a biscuit (or is it a cake?) goes deep. Really deep.Kicking off with the beatless but driving Phased For Days, the EP has a kind of relentless hypnotism to it, with Trinian's almost 7 minutes of spaced out electro.Flip to the B and the acid comes to the fore, with War On Words and its addictive 303 line pulsing over the Kid's signature pads.Tangential throws in some breaks under gritty acid, and Not The Way rounds out the EP with a truly poignant melodic beatdown.

CYCLE 1 is Standard 's debut album, the result of numerous "jam sessions", from which François Giesberger (François Ier) and Baptiste Malgoire (half of the duo Supernaive ) isolated the most conclusive elements, pushing their potential to the point of obtaining tracks with complex but resolutely accessible structures. The result, fruit of a permanent dialogue between the two musicians, is an album with diverse influences and a pronounced melodic dimension, navigating between electronica, ambient, breakbeat, acid and downtempo... CYCLE 1 , scheduled for release on October 30th, 2020, will thus introduce the first cycle of Standard Records ' activities.

When the great mystic Meister Eckhart went out from Gotha into the world to investigate the states of the souls of the clergy, the faithful and mankind in general, he soon ended up in the desert regions. A flash of lightning quickly passed through him, one of insight: the desert is us, it is within us. It is the place of total contemplation, a fortress of solitude. The real desert, whether Gobi, Sahara or Atacama, on the other hand, is populated: by animals, small and large, crawling and flying; by plants, prickly, green, brown or in permanent sleep; by billions of micro and macro-organisms. PAWEL, your insights are like those of the mystic: THE DESERT IS ALIVE!

PAWEL'S BAR is the alias of Leipzig based Marvin Uhde aka QNETE. While as the latter he’s known for sophisticated house and shows a preference for breakbeats, Pawel's Bar is much more reserved and subtle. Its dub and downbeat structures that build the foundation on »Pawel’s Desert Trip«. Instead of facing the dancefloor head-on, tracks like the shimmering WELWITSCHIA, the mellow MANY BIRDS or the nature-dubby PHARAOHS work excellently as companions for any life situation. Rather soundtracks of withdrawal than mere ecstatic escapism. Big feelings. Meanwhile, on RECYCLE, REFRESH and BEACH NIGHTS you can hear why QNETE is such a sought-after DJ and producer (X-Kalay, Shtum or 777): a deep knowledge of what a party might need, although nobody expects it - as Pawel's Bar he can prove this knowledge as well, even if he tries to disguise it.
 With this, he also follows the rumor that has been around for a few years about the Kame House Records: This is where great producers come to think outside the box and deliver their unexpectedly best records.

Step Ball Chain continues to shake the system and flip the skritch with its third offering via MYKI’s follow up solo release “Delenya”. The undeniably intriguing Tel-Avivian Producer & DJ, also part of the Tofistock label family and member of Shen band, shares a consensual glimpse into his fevered brain over the course of a spellbinding week. Progressively exposing sensations rooted in paranoia and isolation of recent dystopian life, the EP is sonically metamorphosed into conscious expanding club explorations, percussively advanced and masterfly frenzied dance tools for the globe's memorable dance floors. With an additional likeminded remix from label-head Roza Terenzi, the 4 tracks embody a staunch riot signalling the optimistic restoration of movement and ferocity, highlighting the crucial role and release these sentiments provide.Establishing the overarching atmosphere, Vertigo opens with a humble vigor; the commanding clunk of bassline leading the way for the solid stride and dynamic rhythmical transit Myki specializes in. Strictly snapped snares in conversation with auxiliary percussion and textural vocal splinters, the personality and flair that continues evidently through the release, alongside the subtly encompassing arpeggiated swells circulating overhead and the dipping lurching distortions breeding below. Roza’s remix bumps the rush of the original, preserving the frisky spirit through a stripped spine of sultry throb; then creating space for experimental evolution of rhythmic and melodic concepts. Existential breaks skip through the middle of a structural swell and switch up in kick patterns later down the line for endless mixing potential.The temperature continues to rise on the B side as Myki ascends into 140+ club territory. Puma Snap snatching your ears instantly with rudely harsh distortion, abandoned abruptly for a quick & slick stripped back drum pattern, gently teasing in extra percussion and light pad timbre. The infectious rolling bass pokes in underneath, locking effortlessly in union to drive the levitating hypnotic flow; the magnetic power of strutting feet to the floor. Bleeding Tooth shadows this stamina for the conclusion; yet with a murky roughness seeping through severe shaded drums and growling low end. Brace yourself for curious revelations and structure ambushes, keeping the innovation gushing with a jarring guitar disruption and gnarled vocal mumblings to stimulate physical combustion.Here lies a new age era of perc heavy prog-dance-trance, a twisted and tweaked high energy evolution from historical roots, the kaleidoscoping euphoria and playful aural punishment that trickles through Step Ball Chain’s ethos.

One year after the release of a 1st EP which turned sold out in a few weeks - and which attracted the benevolent glances from many figureheads of the genre like Point G, Varhat, Janeret, Brawther or Lowris - Saudade is back on Pont Neuf with Xango, a new 4-tracker synthesizing his love for Brazil and the minimal sounds.