BEQA
Standalone EP

Arís return with part three of their ongoing series revisiting seminal 90’s Irish dance releases, reissuing the debut release from long standing D1 Recordings luminary Rob Rowland. His 1994 effort M.F.N. is remastered from the original DAT source for the first time, and comes with a fresh remix from young Dublin prog sensation Dylan Forbes.

KX9000 is back with his fantastic universe between jazz-funk and disco-house. Behind this alias that one would believe straight out of a Japanese animated film, we find Kerim Ben Mustapha who has established himself since 2018 as “one of the most remarkable producers of the moment“ (Mixmag) with no less than 4 EPs on Pont Neuf, in Germany on Blaq Numbers or in Italy on Apparel Music. He returns with a new EP 2L84ME which explores a new neo-soul facet of the musical palette of the Parisian producer, while remaining faithful to his recognizable style.

Coming in hot for its second outing is Anthea & Velasco’s PILLZ imprint, this time they turn to Oshana to take care of business. Chunky dance floor action with an attitude from the Berlin based artist as she showcases her constantly evolving sound. The four track “Letting Go” EP explores extensive territory, meandering between distinctive shades of electro, techno and acid energy from an outer place.A powerful quest through Oshana’s versatile vibe, essential underground moods for the hazy hours of the night.

Having proactively set the pace of the Danish scene for the past few years under many guises and just as many records for an array of premium labels, Regelbau spearhead Natal Zaks alias Central, aka Picture this time around, joins the Kalahari Oyster Cult fold with a quartet of fresh-minded, bouncy joints taking the classic Aarhus vibes for a trip into further hypermodern melodic grounds.

Besançon on the traxxx. Second release, signed by the great record Jockey Nïma Skill a tribute to the ghetto dance music in its widest definition, raw and brutal.