Seekers
Intrigue In The Holocene EP

SAISEI founder Junki Inoue continues his vital archival work uncovering the riches of Japan’s distinctive electronic music scene and bringing them to new audiences around the world. The Sounds Of Transonic compiles six tracks recorded in Tokyo between 1991 and 1995 and released by the pioneering Transonic label, founded in 1994 by Kazunao Nagata and active until 2004.Transonic’s catalogue is a glittering roll call of the scene’s major players, whose inventive and genre-blending work established forward-thinking house and techno in Japan in a way that would shape the country’s electronic sound for years to come. Transonic was instrumental in giving exposure to the work of these artists with its emblematic series of CD compilations, released over a short couple of years in the mid 90s. Beginning with 970-1450km/h, Feedback and Range, the series also included The Roots Of Transonic, featuring music from parent label Trigger. Alongside these compilations came much sought-after solo albums each packaged with striking cover art that makes the discs a visual treat for collectors to this day.The Sounds Of Transonic brings together six tracks from the catalogue into one breath-taking package. The influence of hi-tech jazz and machine funk from Detroit is undeniable in ‘Dream Trance’ (Mind Design) and ‘Blasting Soul’ (Interferon), while ‘Under The Ground’ (Palomatic) and ‘Chelsea’ (Suzukiski) are permeated by the artificial intelligence and trip hop emanating from the UK at the time. The compilation is bookended by two tracks by Nagata himself (as Organization): ‘Space Ball’, a Model 500-worthy chase through the cosmos, and ‘Call’, an eerie echo of Kraftwerk’s telephone, transmitting expectantly out into the void and, finally, receiving its celestial answer.With The Sounds Of Transonic these formative pieces of music will now be available internationally and, for the first time, on vinyl.SAISEI is a Japanese word which translates to ‘reproduction’ and ‘to play’ (as in playing records). Japanese culture is widely known for its traditional nature just as much as it is for being forward into the future and this label’s concept does justice to exactly that. Having started digging for records as early as 16 years old, Inoue delved into productions from 1990s Japan to uncover these native gems. SAISEI’s core concept is to recapture and reintroduce unique pieces of Japanese electronic music onto vinyl, to an audience it never reached before as most of this music was only released in Japan.

Another big release on SOUNDS. in the rebound.This time it's Modal - Carnivalesque (2x12") by Woody Mcbride and Dave Stevens from 1997.Don't sleep on this official re-mastered re-issue!

"Don't Run From The Fire"" is Minuit Machine's 5th release. It's a four-track EP. One year and a half after coming back from a one-year hiatus, Minuit Machine keeps on transforming and evolving. From dark electronic, to EBM, the duo reasserts its hybrid identity, always dark wave, but with strong touches of techno and EBM. Don't Run From The Fire talks fear and desire. How love, and feelings in general affect us all as human beings. How we try to run away when we feel in danger. We run away, or we stand still, ready to attack, like a scorpio. We hide how much we're afraid, how much we'd like to hide. It's about control, trying to take control when everything is out of control. When the world around us is chaotic and dangerous. Don't Run From The Fire is about fighting, for who we are, who we want to become. It's about understanding what we truly want and embrace it. Don’t Run From The Fire – Remix Edition is a new version of the original EP with 4 additional remixes from Rein, Parallx, Crystal Geometry and Maud Geffray. "

Far over on the west coast of the USA we find a room full of drummachines, samplers and keyboards. Hard at work is Israel ‘Iz’ Gravning aka Tone Scientist, who’s been using this Seattle studio to produce genre-defying future music for more than 25 years.

White Scar, sublabel of Subterranean Odyssey, is back for its second instalment. The next feature is called the “The Judge’s Head” and true to the theme for White Scar it features four tracks from four different producers.Eliaz returns on the A1 with “Spaceventura” which is more of the mayhem that you come to expect from the Slovenian given his releases so far. A2 is from Uruguayan producer Estef, with “Roto” a club-ready weapon which already has and will continue to tear up dancefloors upon release.On the flip side, B1 is from Colombia based, Buraye, and true to form, he delivers “Towering Vortex” - a hypnotic techno workout. Finally, on the B2 is “Moon” by Nay, who is an up and coming producer from Liverpool, UK. Big things to come from him, you will no doubt hear much more from Nay in the future!

Old friends John Cravache and I:Cube teamed up to release Chimère Fm’s debut album on Versatile records.Endless improvised studio sessions seamlessly blending electronic synthesis and post dada cinematics.Dreamy synth funk rubs against pagan rhythms and minimalist electronic drones.This album will take you to soundwave paradise.Chimère Fm is an imaginary radio station broadcasting its stellar weirdness livefrom Paris !