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The Music In Space (inc. DJ Sneak Remix)

Hot on the heels of last year’s new era e.p., Marco Repetto returns with the second installment in the planet love trilogy.Adamha e.p. consists of three tracks, conceived at axodya during the winter of ‘91-‘92, that reveal a more obscure side of the young producer’s mind.Miraculously, not one of these compositions has seen the light of day before; they were unearthed during a painstaking transfer of Repetto's extensive ‘88-‘04 DAT-archives.Thirty-one years after instrumentation, return_backspace proudly presents to the world the definitive sound of the future!

Theory of Movement is back with more of their distinctive new deep house sounds. This is of course a collaborative project between Dan Piu and Grant and we haven't heard from them since back in 2018. With this latest outing though they remind us of their quality with all shades of classic-sounding house served up with some signature melodies to mark the first release on Grant's new label When the Morning Comes Records. On the back side is a special collaboration with Parbleu that results in some blessed out late-night soul.

Sweden’s Anna Kohlin and Basement Space deliver a split EP to kick off the new Inside Out imprint.The first release of the label sees the two artists blend their visions and different influences into a cosmic, breaks laden house 12’’, set to elevate your dance floor experience.

Solo album by Betonkust (Dutch for Concrete Coast). The vinyl comes with a booklet containing drum patterns used on the album, together with a download link of the original samples that you can use for your own music. This record includes a Bandcamp download code for the digital files. Short bio from Betonkust: I was born in Utrecht (1988). I grew up in a very small town somewhere between Amsterdam, Utrecht, and Hilversum. The so-called 'green heart' of the Netherlands. That means there's lots of nature. It was very boring and/or normal. A typical Dutch 1990s upbringing. I've been listening to house music for as long as I can remember. On cassette tapes, on the radio, it was everywhere. Now I live in Rotterdam and there's a lot going on, mainly in the area of electronic music. There is Operator Radio, Clone, Pinkman, etc. Most of my friends are involved in music in some way. The older I get the less I care about gear. I didn't use any expensive or exotic stuff. Korg Electribes (both the sampler and the synth), Korg M1, some Boss effects pedals, a cheap mixer, a Shure SM57 mic, a cheap guitar. For this album everything was recorded in FL Studio. Some tracks on the album started like five years ago with a melody and slowly developed into a full song. Other songs were made one month before mastering. It really depends. But most of the work was done in 2020 and 2021. I think most of this album is about transience, giving up, the infinite sadness of humanity.