Pete Melba Miles Iro Aka
Luminescence VA

Pierre Codarin makes an anticipated return to his Spaghetti Club label this winter with his “High Times” EP. The UK producer never tires from evolving his sound, and throughout this cosmic four track record he addresses a multitude of territories, constructed upon refined house textures full of life for your record bag. Ain’t no time like a high time!The A side boots off with “Herbies Chanz”, punchy drums from the get go, conversing with a killer elasticated groove, animated with squelchy acid beeps. A slick house number for the heads. A deliciousbiscuit for some, but for Pierre Codarin “Viennese Whirl” is a tasty slab of wonked out funk for the dance floor.Title track “High Times” resides on the B side, spreading a feel good energy throughout. Intricately arranged with shining chords and a distinct drive at its heartbeat. Percussive bliss in the final track in “Ruff Rumble” perky congas lead the way bringing a fresh vibe to the EP, the mid way change up shifting the club into the next gear.For returning members, welcome back to the Spaghetti Club, and to the newcomers, enjoy your first meal!! Fine dining from the label founder himself.

Lee Humphreys and Evasive head honcho Rob Pearson returned to the imprint for their 2nd EP together as Lovable Rogues. This followed on from their first collaboration which launched Evasive Records : Look Into Your Eyes / Chica / Twilight Manouvres (EVA001).

R.I.O. welcomes Pieter Kock aka DJ Peacock, one of the guiding souls behind the Berlin based bar/micro club O Tannenbaum. Musically active since 1986 as singer, guitarist, drummer and noisemaker, Peter already released a string of albums under different aliases like Billie and Ballie, The Hitmachine and Taladu. Since the early 1990s he narrates haunting sonic stories as a DJ, playing a vast palette of styles - from cosmic and leftfield techno to tape experiments, sound-art, wave, world, jazz, punk, industrial, and all that weird pop music. Last year saw him liberating his first solo recordings under his civil name as a cassette tape named “Flocks & Murders of Entitled Spirits”, dropped by the Berlin/Vilnius based label Musikii. It unreels twelve sensitive tunes, made with the help of online synths and drum computers, Youtube travel- and talk show-videos or samples from Youtube synths- and rhythm box-demonstration videos. Now he refined his idiosyncratic style of music crafting a bit deeper and shares “Facial Recognition” – a gently twisted album that unites hypnagogic pop, library dances, cosmic funk, leftfield grooves and experimental sonic zones under one roof. His seven found sound tunes are layering a rhizomatic veil of unidentifiable web sounds, all transmuted into hazy looped ambiances, that trigger unconscious brain activities with future samples from the past, woven rhythm structures and a simultaneity of moments, derived from myriad world wide web informations. When it’s true, that nothing can have value without being an object of utility, then Pieter Kock managed to give the internet a new rate while using its manyfold informations as a tool to create art. Art, whose originality isn’t defined by the creator’s playful virtuosity. Instead, his sensibility of deciphering unheard rhythms, harmonies, and melodies in an avalanche of prefabricated ideas is his mastery. Pieter Kock transformed them into unfamiliar compositions with a familiar touch, that can evoke the feeling of being synchronous in a world of the many. A data rain without drops, a stream of consciousness without cognizance. Come in, drop out.

Very excited to release a special artist full of positive energy, tINI! Hats off to her for having such a beautiful and long lasting career that is still going strong. So strong that she now found time for her studio. Therefore we are happy to present to you her first full EP. A record that is full of character, just as you would expect from her!

The tracks on this record were originally produced in 1993 and 1994 by Julius Weiland. Before becoming a visual artist he released house and ambient tracks under the name „Julius“ and other aliases. Deeply influenced by early Chicago House and Detroit Techno he developed his own style and sound. This is his second release on No Acting Vibes and it‘s bringing back some of his sought after tracks on vinyl again.(All tracks produced by Julius Weiland, Basic Paradise“ coproduced by Tom Gawlik“.)

New sub-label from Accessory Records; starting with some murderous punk style edits. Killer !