DMC
HMND002

S.O.N.S first album, The Escape, because we all need to escape in our lives at some pointpressed on non-colored, non-180gr vinyl, 2 x 12"An O.S.T for a movie which does not exist... the story of Anna and her escape from Earth... to planet SeylanideIncluding the non billboard-chart-topping singles Identity (ft. Sun) & Eternity (ft. OCB)And yes, this time, there are deep pads, emotional landscapes, melodic horizons, mysterious moods, psychedelic soundscapes...Also included, an order form to order some mysterious bonus recordsWritten and produced in Seoul, South Korea between 2019-2021Mastered & Lacquer by Matt Colton (Metropolis Mastering)Additional work on C3. Eternity by Driss Bennis a.k.a OCBOriginal cover art by Choi Sun

«I am the bridge between the day and the night that never ends, I am the acid drop that beads on your dancing body, I am the metallic breakthrough that crosses your being when I catch your wet hands, I am the brutal wave that grazes your dark gaze and your tired eyes, I am the titanium and the cyprin, I am the adrenaline, I am that being that invents, desires and revolts, I am that jolt of desire that tears me when it is dark, I am a psychoactive substance diluted in honey, I am the back that you caress, I am our first and last dance, I am the one who seduces you, I am the one who obsesses you, I am the solitary dance that bewitched me the first time we met, I am the cry muffled by our restless bodies, I am the movement that pierces and unfolds as if it were the last. I am solid and liquid, mechanical and organic, I am your first and last time, I am Baraka.»French duo Baraka present their first eponymous EP.Dive into their cathartic universe in which they celebrate their love for club culture using powerful TR8s, incisive break beats, synthetic layers inspired by trance and trip-hop as well as cavernous female voices.This alliance of electronic music, 90’ aesthetics and dreamy undulations intertwine like the yin and yang and promise a mystical universe with futuristic imagery.

Bristol’s Remotif makes his highly-awaited debut on space•lab with his wormhole of a new EP, ‘Substation Fever’. Kicking things off on the A side, the title track enters the scene with spacious, organic drums, building in energy as we tunnel through its course; travelling from the cool, oxygenated air of a forest-scape into dazzling, far-reaching intergalactic realms.Next up, ‘Substation Fever’ gets a dreamy reimagining courtesy of Leeds legend and space•lab regular, Adam Pits. Channelling the energy of Remotif’s original into a hazy, blissed-out cloudscape, this track was made for accompanying early morning sunrises where orange-hued dashes of light reflect off the surface of gently rippling water.On the flip side, ‘Hi Tek Lo Life’, crackles with the fluctuating electrical impulses of a TV without signal or a radio between channels. Flecked with corroded vocal samples and billowing synthlines, this is a track that explores the inbetween - the moment when connection is almost lost, but not quite. There is a beauty in the roughened-edges of these partially obscured details. The final track of the EP, ‘The Signal Prevails’ is perhaps an answer to its precursor. Opening out onto trip-hop-esque terrain, this track follows the path set out by a blurred-out, echoing vocal as it deftly works its way through narrow, winding pathways of powerful 90s-style breaks.A much-loved DJ regularly making an appearance on space•lab’s lineups, we are delighted to now showcase Remotif’s skill in the studio with this mind-opening new EP.

Half of the Groove Boys Project duo, Lucas aka Projecture is releasing 4 New-York style deep house tracks for the third record of the label. Deep jazz chords, smooth basslines and MPC drum work featuring Rawaï on A1 and Lulu Jems on drums & Kamasari on saxophone on B2. As every record of the label, the last track is a tribute to a producer they admire, and for this one this is a jazz house track that pays tribute to the french hero St Germain.Recorded at studio 937

This work is the result of a musical exploration between Joseph Muñoz and Faunes Efe where their principal influence was the traditional rhythms of colombian caribbean territory like Cumbia, Porro and Vallenato, merging it with other musical styles like IDM, Ambient, Industrial, Techno, Drone, Field Recordings, No Wave and everything they felt like to listen. The recording process of this album was made by processing acoustic percussion, voices, samples and field recordings of the atlantic coast in Sucre, Colombia.