Spandrel
Geolectrics

5 years of hard work, it's time for Burnin Music to celebrate. We have contacted all the artists that we came across in 5 years, whether they released on the label or not, and asked for demos.The quality of stuff we received was so brilliant that we moved from releasing a digital-only compilation to a vinyl record! We are pleased to introduce 8 tracks by 8 brilliant producers hailing from Cologne, Leipzig, London, Marseille, Munich, Paris and Tel Aviv.8 artists, 8 definitions of electronic music but one sound philosophy: Burnin Music.To compliment the music we've asked Theo Cerri, atalented artist living in Edinburgh, to design the cover. All tracks mastered by Sam Berdah at The Wall.

Fashion Queens – Music Is My Life (Phantom Power Freestyle) © 1993 Midas Records*Memphis - Deep Core © 1992 Memphis Records.2 tracks.45 RPM.Remaster & Loud Cut.Compiled by Rey Colino.Mastered by Marco Pellegrino.Design by AJAM.Fashion Queens – Music Is My Life (Phantom Power Freestyle) is vinyl only.

Rushing us headlong into a vorticist maelstrom of hard-edged drum stutter and polychromatic synth fragmentation, Sansibar sophomore long-player for Kalahari Oyster Cult - “Sans Musique” - tackles the very essence of post-trancey, breaks-loaded UK blends with unabashed joy to wreak havoc on his path. Throughout seven tracks oozing burnt kerosene and depleted uranium residue merged with a hint of sacred incense, Sansibar deploys his extra-wide vision for the present and future of dance music.“Scully” attacks pedal to the metal, hi-intensity bass onslaughts and knee-buckling breaks roaring as the groove slings us at bullet-speed into a hot, narrow barrel of floor-focused aggression. Fusing rattling DnB engineering with Goa trance motifs, “Force of Equilibrium” showcases Sansibar’s hybrid attachment to functionality and headspace fractalisation. Hi-velocity rimshots, pep vox samples and alien basslines blazing, “NRJ” eases us into a shape-shifting network of underground tunnels dwelled by shady raving creatures, harking back to Prodigy’s early wares and subsequent offshoots of the 90s era.One to bend your mind to, “Teal’c” taps into an even darker vein with its fast-cascading hats and von Oswald-ian dub whirlwind set against a surgically laid-down, unstoppable EBM bass comber. Jagged and oneiric to the finest extent, “Send It” peeps at prime Hokusai and Photek material in its first stretch, slowly making room for further spacious liquid junglism as bars run by. Cranking the 2-step/garage power levels up a notch, “Fantasmas” sends us spinning into orbit right away, while the LP’s closing track “Aurora” takes us on a languidly serene voyage of a finale, tempo slowed-down and suave trip-hop flavours exuding with increased sensitiveness.--Hailing from Helsinki, Finland, Sansibar is a non-pareil cosmic traveller - also producer, resident DJ at Kaiku and Post Bar and wave agitator on IDA Radio and EOS Radio - whose genre-unbound sound credentials for the likes of Kalahari Oyster Cult, Natural Sciences, Émotsiya, Darknet, Avoidance et al. have helped establish as one of today’s most intriguing talents in the European scene.

With numerous EP's on labels such as Withhold, Emotec, Partout, Art Of Dark etc we are very excited to present the debut album from Bufo Bufo! Limited copies

« In Praise Of Nothing » is the debut EP of the brand new S.A.C.S 89 imprint created by Stephen & Charlou former founding members of OPAQ Records. S.A.C.S 89 stands for Society Against Conformist System and aims to defend uncompromising music. On this first record founders Charlou & Stephen provide 2 tracks each and 2 collaborations ranging from techno & EBM to synth-pop. An invitation to join their new system.

It’s in this strange time that Bardouin Music born with some acid and club pieces with some great french producers. Started with "No More Acid" - a piano banger well cooked by chief Herr Krank. Followed by Esba and his very acid warehouse track "Tard" - Side A ends with the deeply pleasant "Correction d'Orbite" that Col. J realize. B Side Monsters Aurèle and Hyas attack with a glitched club track from V45 called "Elka 2020" in reference to the melody made with this analog synthesizer. Finish royally with "Acid Trap" bomb concocted by the respected and mysterious Renart - a mix between acid and bass trap rather surprising and very effective.