Jacopo Latini
Motherboard EP

Driss Bennis is back in stores with his OCB project for another future classic. This massive 8 tracker pushes all boundaries of techno, break-beat and electro. A-side strictly for nervous DJs, B-side for sensitive souls! Tested and Approved. Catch the train.

Delsin marks its milestone 150th release in a rainstorm of gorgeous arps with a full EP from Voiski. For Luc Kheradmand it's a return to the label which carried his 2020 collaboration with Wata Igarashi and where he issued early single Breaths Written Outside Gloom. For Delsin it's the perfect way to sum up different dimensions of the label's identity - richly melodic, machine-powered and yet distinct from any illusion of a typical 'Delsin sound'. The End Of Fiction EP marks a new chapter in Kheradmand's approach and intention. His prolific back catalogue reaches back across countless releases for labels like L.I.E.S., Dekmantel UFO, Bassiani and his own Super 95. Here his established overdriven snarl is tempered, but not at the expense of the energy and emotion readily associated with his music. There's a trace of trance and early Detroit about the powerful lead lines on 'Blazing Star' and 'Hazy Suns', while 'Unreality' basks in blissful acid and 'Ideodelika' charts a course through progressive, psychedelic techno. The End Of Fiction still bristles with the peak time energy Voiski is often known for, but it's the melodies which dominate the overall narrative as he sets out a renewed clarity in his sound.

ONO Records is proud to present a long awaited project from EDN, the recording project of Elena Nees. Hailing from Adelaide / Kaurna, Elena has crafted her sound in the form of sweet bedroom folk and pop, self releasing a number of tender EPs since 2020 along with releasing a fantastic six track cassette with the esteemed Naarm based cassette label Healthy Tapes under her Allume alias. Here, the EDN moniker takes these folk pop sensibilities and filters them through a love for electronic hardware production and music.

If you say Brawther you mean trip, like the cities he lived in (Paris, Leeds, Lisbon) and the countries where his DJ's sets have been (Sweden, Japan, UK). Back To Life with this collection wants to propose a journey, with music. Directly from one of his first productions on My Love Is Underground, "Don't Go" has been defined: "a very dark track with violent beats that can be used in a hard deep house orstrong techno set! Very good use of vocals with a sensual female voice.""Negentropy" is perfect for club use. Someone says: "the kinda Deep gem that plays in your head for weeks."Last but not least "VXVXVX" taken from the Balance label is a true classic of the moderndeephouse.

return_backspace is excited beyond measure to present to the world the music of a young marco repettoconceived during the heydays of atari-sequencing, under his beloved moniker planet love, the bern-residing, italian producer at long last will disclose some of his earliest compositionsin nine tracks - spanning three extended plays - the headstrong musician demonstrates ingenuity once again; amalgamating otherworldly soundwaves and advanced production technique into a one-off kind of seminal technonew era e.p. makes the initial part in the triptych, and unfolds through its title track; an extraterrestrial soundscape sculptured autumn ’92, heavily reverberating repetto's profound fascination for 1950s science fictionflowers was recorded during the last days of ‘90, and is one the earliest experiments conceived under the alias. the track is a well balanced blend of measured psychedelic, and grand lushness, with vigour that has zero decayed. supremely effective at the end of a long night’s rave bird song is early ‘92 in full effect, and might just contain one of the catchiest bass-lines known to mankind. topped off with luxuriant pads, sweet samples, and irresistible bleep, repetto truly outdid himself on this one; romantic techno rarely gets more soulfulthree decades after their initial recording to digital audio tape, the natural naivety within each of these productions still is extremely tactile; reminiscent of a time when electronic music was in its infancy